Precious is the Impermanence of Existence

Precious is the Impermanence of Existence, is a photography installation focusing on the circumstances of life. Emphasizing the simplicity of aspects relating to ordinary existence. Ones that when combined and contemplated, become the most influential subject matter for me. I find that in photography there is no other truthfulness I can commit to except that of my own experience. Working with film from relatives, my own old negatives, polaroids, and the development of new film, my process is evolutionary, speaking to my personal and artistic development. A progression of time that has provided me opportunities to meet new people, have unexpected adventures, and recognize the impact of emotions. Drawing inspiration from polaroid photographer Dash Snow, known for his ability to capture the raw moments of everyday life , allowed me to take pride in publicly displaying myself, encouraging my attempt in showing an authentic illustration of who I am. Additionally, to not be fearful of what people may think of me, and  how I choose to live my life It is these thought  processes explained above, that I solemnized while producing the work in front of you. A process of creating that forced me to think about the functionality of myself. Additionally, a gracious acknowledgment for the extraordinary people in my life, and a visual aid for viewer’s self-reflection.

On surface level these photographs display family, friends, and locations personal to me, and mostly unfamiliar to others. Yet the nostalgic undertones and intimate emotions each one carries is an attempt to ignite one’s voluntary memory. The purpose of this installation is introspective, inspired by the question of what these pictures say about who I am. Conceptually, my work is based on my obsession with remembering, documenting, and saving moments in time: To make sense of things, to understand the world, and the role my life plays in it. This installation is also somewhat of a tribute, recognizing the influential aspects from my existence. Looking past personal aspects, it is my hope that this work establishes a connection between artist and viewer: A relationship defined by visual dialog, powered by that of one’s own memories.

I have always disliked rules, especially when applied to art. I am aware that following rules is the structural support of society. Yet at the same time, it seems that rules are constantly asking to be broken. My main interest as a photographer is centered around life, the art that stems from this concern acts as a presentation of my own existence. If art is about life, appreciating, capturing, and preserving it, why are so many conforming constructs broad in nature, placed upon such unique and personal conditions? I am not trying to be someone I am not: actively disobeying any systems that would produce a false image of myself. Instead, working with what I have and what I know. In terms of photography, these known elements present themselves as visual experiences gathered from my reality. Further fueling my desire to capture life within the format of an image. Illustrating the invisible honesty and emotion emulating from moments that never last.